CLOCK TIM | ARTIST | CD TITLE | LABEL | CUT | TITLE | LENGTH | NEW | |
14:00 | Compagnie Christian Vieussens | Noche en Vela | CIRMA | 3 | Arc 96 | 0:06:09 | . | |
14:06 | (station ID, intro) | - | . | . | . | 0:02:00 | ||
14:08 | Saturn's Rival | Saturn's Rival | pfMENTUM | 3 | III | 0:08:44 | info@pfmentum.com | + |
14:16 | Glenn Stallcop | Haibun for Those Washed | Stallcop | 1 | For the Fathers #1 | 0:03:50 | gnstallcop@gmail.com | + |
14:20 | Glenn Stallcop | Haibun for Those Washed | Stallcop | 2 | For the Fathers #2 | 0:03:35 | + | |
14:24 | Erika Tazawa | Rhythm of Silence | Belarca | 11 | Agu - III. You're a Fake! (Marc Mellits) | 0:09:09 | info@belarca.com | + |
14:33 | (talk, station promo) | - | - | . | . | 0:02:00 | ||
14:35 | Elliott Sharp | The Boreal | Starkland | 6 | Oligosono - II. — | 0:08:52 | info@starkland.com | + |
14:44 | Chas Smith | Twilight Of The Dreamboat | Cold Blue | 1 | Twilight Of The Dreamboats (excerpt) | 0:10:00 | info@coldbluemusic.com | + |
14:54 | George Hurd | Navigation Without Numb | Innova | 5 | Fulcrum | 0:03:06 | innovapr@composersforum.org | + |
14:57 | George Hurd | Navigation Without Numb | Innova | 7 | Locked In Place | 0:04:20 | + | |
15:01 | (station ID, intro) | - | - | . | . | 0:02:00 | mark@groovmarketing.com | |
15:03 | Amanaska | Panorama | New World Music | 1 | Incantation | 0:05:52 | mail@newworldmusic.cc | |
15:09 | Amanaska | Panorama | New World Music | 2 | Distant Worlds | 0:06:24 | ||
15:16 | Amanaska | Panorama | New World Music | 3 | Meridien | 0:07:16 | ||
15:23 | (talk, PSA) | - | - | . | . | 0:02:00 | ||
15:25 | Trance Groove | Paramount | Call It Anything | 4 | Ange Gardien | 0:14:59 | ||
15:40 | Brad Shepik & Ron Samworth 4tet | 1991 | Songlines | 5 | Nightbirds | 0:06:13 | mark@groovmarketing.com | + |
15:46 | Michael Blake | Fulfillment | Songlines | 7 | Exaltation | 0:09:28 | josh@groovmarketing.com | + |
15:55 | Andy Sheppard Quartet | Surrounded By Sea | ECM | 1 | Tipping Point | 0:05:00 | tina.pelikan@umusic.com | + |
16:00 | - | - | - | . | . | 2:00:57 |